It is sad that some of these movies are on the list -- they are among those I would rate as Hollywood comedy classics. And one just breaks your heart, because even though the criticisms of it are accurate it is a snapshot of American culture and a masterpiece of music and animation in film.

Let me give you a few examples -- you can read the rest.

There is the classic parody of the formula western.

“Blazing Saddles”
The granddaddy of them all when it comes to language and situations that wouldn’t fly today. Mel Brooks’ Western spoof came out in 1974, when certain indelicate references to race and womanhood could still elicit guffaws rather than protests. Cleavon Little plays Bart, an African-American who is assigned by evil politician Hedley Lamaar (Harvey Korman) to serve as the new sheriff of a town in the hopes his presence will so offend the citizens that he’ll drive them out so Lamaar can grab their land. Because the townspeople apparently were expecting a white man, Bart isn’t exactly embraced. A particular slur that starts with the letter that comes after “M” is sprinkled liberally throughout, but there are also plenty of sexual references as well, including the scene soon after Bart arrives and the folks dive for cover when he reaches into his pants to retrieve a document and says, “Excuse me while I whip this out.” Since Brooks is an equal-opportunity offender, he assaults the sensibilities of Native-Americans, Jews, Chinese, Irish, women, horses, the handicapped and others. If “Blazing Saddles” were pitched in Hollywood today, Brooks would have been hastily escorted off the lot, and executives would quickly issue a statement that the move had nothing to do with him being short and Jewish.

And another parody -- this one of the string of disaster movies that made box-office gold in the 1960s and 1970s, although I will agree that the pedophilia jokes are a bit much.

“Airplane!”
Directors Jim Abrahams, David Zucker and Jerry Zucker skewered the disaster genre in this 1980 release that hurled one gag after another at audiences without the slightest regard to whether it rubbed anyone the wrong way. There was the bit with the two black gentlemen seated together whose speech is incomprehensible to the flight attendant until Barbara Billingsley of “Leave It To Beaver” fame offers to translate, explaining, “I speak jive.” There was Peter Graves’ Captain Oveur, who makes suggestive remarks to a young boy visiting the cockpit including, “Do you like gladiator movies?” There was the little boy who asks a little girl seated next to him how she likes her coffee: “Black, like my men.” There were the repeated drug references by Lloyd Bridges (“Looks like I picked the wrong week to give up sniffing glue.”) There was the Air Israel plane wearing a yarmulke. And on and on. Today the PC police would have to hire extra help in order to monitor this one picture.

And then the fantastic parody of liberal political correctness itself.

“Team America: World Police”
Few political satires exist at all. Fewer still jab the right and the left equally hard, and do so using marionettes and extremely bad taste. Trey Parker and Matt Stone, the creators of “South Park,” made this 2004 parody of the old “Thunderbirds” TV series with the intent of ridiculing all elements of the war on terror. It includes a reference to the Film Actors Guild by showing a news clip with the words “Alec Baldwin — F.A.G.” They make fun of the Broadway show “Rent” with their own called “Lease” that includes the song, “Everyone Has AIDS.” The film ridicules foreign languages like Spanish, French and Arabic by boiling them down to caricature levels; Kim Jong-il, the bad guy in the movie as in real life, greets people with “Herro” and calls weapons inspector Hans Blix “Hans Brix.” This picture is politically incorrect in the most virulent manner because it exists not to express a point of view, but rather to harpoon a broad section of the famous and powerful while offending as many as possible.

I guess the point is that parody and satire really have no place in cinema today -- it makes liberals uncomfortable.

And then this classic -- offensive, but because of the time in which it was made and teh bit of culture it keeps frozen on film.

“Song of the South”
This mixture of live action and animation probably doesn’t fit snugly into the category of politically incorrect comedies, simply because it isn’t a straight comedy but more a lighthearted family picture. Also, the depictions of African-Americans here weren’t mean to elicit laughs, but were done in earnest in an attempt to portray life in a particular time period, right after the Civil War. But there’s no doubt this could never be made today the same way. In fact, Disney has refused to even release the film on home video in the United States (although it is available overseas) because the portrayals of African-Americans would create a firestorm today. Uncle Remus, a wise old black man, tells the story of Brer Rabbit and his pals to cheer up little Johnny, a white kid. But most of the black people are shown as subservient to whites. This isn’t exactly “Birth of a Nation,” but in terms of racial stereotypes, it’s in that ballpark. “Zip-a-Dee-Doo-Dah” won the 1947 Academy Award for Best Song.

Must we really sanitize our past as a way of making a better future?

Anybody want to offer their own list?

Posted by: Greg at 09:17 AM | No Comments | Add Comment
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